agape greek mythology

to C1st A.D.) : to C1st A.D.) : [N.B. And there in the midst came Maron, heavy with wine, staggering on unsteady feet and moving to and fro as frenzy drove him. The Man raised one of the dishes a little towards his mouth and blew in it. When someone in Greece is named after one of these saints, that saint’s celebration day becomes their “name day” and is celebrated much like their actual birthday. 128 ff : On it legend says Silenos rested when Dionysos came to the land. with them the Seilenoi (Silens) and the sharp-eyed Argeiphontes [Hermes] mate in the depths of pleasant caves." You have the same vision of the future. From Greek mythology to Hindu motifs, cultures around the world have used a range of symbols to represent love in Eastern and Western art. Wilson) (Greek rhetorician C2nd to 3rd A.D.) : "[The war of Dionysos against King Perseus and the Argives :] Perseus sickle in hand gave way to Bakkhos (Bacchus) [in battle] with his wand, and fled before the fury of Satyroi (Satyrs) cyring Euoi. [Silenos is attacked by bees and] the Satyri come running and laugh at their father's bloated face; he limps from an injured knee. ", Philostratus the Elder, Imagines 1. Dionysos jealous held him back. For Plato, eros is neither purely human nor purely divine: it is something intermediate which he calls a daimon. 1. 542, iii. To these three, Eiraphiotes [Dionysos], entrusted the dignity of the staff of the heavenly herald, their father the source of wisdom. So Danaus sent his daughters to find water. What tricks did they not try, the quick young light-foot Satyri (Satyrs), and the Panes who wreathe their horns with pine, and that old rake, Silvanus [Seilenos (Silenus)]. . 133 ff : ", Philostratus the Elder, Imagines 1. For instance, Hesiod says that five daughters were born to Hekateros (Hecaterus) and the daughter of Phoroneus, ‘from whom sprang the mountain-ranging Nymphai, goddesses, and the breed of Satyroi (Satyrs), creatures worthless and unfit for work, and also the Kouretes (Curetes), sportive gods, dancers.’", Pausanias, Description of Greece 1. 580 ff :

She was the daughter of Doros (Dorus), himself sprung from Zeus and a root of the race of Hellen, and Doros was ancestor whence came the Akhaian (Achaean) blood of the Dorian tribe. Athenian Red Figure Vase Painting C5th B.C. And a Satyros of the mountains sat astride on the back of a lioness, as if he were riding a colt. Agape ], Strabo, Geography 10. 3 (trans. [1.2] THE DAKTYLOI & THE HEKATERIDES (Strabo 10.3.19) 16 : ", Nonnus, Dionysiaca 17. Dionysos saw them out of the corner of his eye, and melted with jealousy that the two competitors should be in front, afraid they might win and Ampelos [his love] come in behind them; so the god helped him, breathed strength into him, and made the boy swifter than the spinning gale. Campbell, Vol. Gibbs) (Greek fable C6th B.C.) This aromatic white flower is a powerful symbol of love, especially within the Hindu religion. Jones) (Greek travelogue C2nd A.D.) : [1] Protestant author C. S. Lewis posits it as one of the four ancient Greek words for love in Christianity, alongside storge, philia, and agape.[2]. He received the first prize with soft hair flowing, Leneus took the second full of envy, for he understood the jealous trick of Lyaios and his passion; Kissos eyed his comrades with look abashed, as he held out his hand for the last prize discontented. These symbols represent popular proverbs, often conveying more meaning than a single word can. . the attendants of Dionysos [i.e. 2. The Ancient Greeks’ 6 Words for Love (And Why Knowing Them ... "[The goddess Eris (Lady Strife) chides Dionysos for abandoning his war with the Indians :] ‘You weave your web of merriment with Stayphylos and Botrys, inglorious, unarmed, singing songs over the wine; you degrade the earthy generation of Satyroi (Satyrs), since they also have touched the bloodless Bacchanal dance and drowned all warlike hopes in their cups.’", Nonnus, Dionysiaca 20. . Satyroi (Satyrs) form the bulk of his army. Eros, muy enfadado con Apolo al haber bromeado este sobre sus habilidades como arquero, hizo que se enamorase de la ninfa Dafne, hija de Ladón, quien lo rechazó.Dafne rezó al dios río Peneo pidiendo ayuda, y fue transformada en un árbol de laurel, que se consagró a Apolo.. La historia de Eros y Psique tiene una larga tradición como cuento popular del antiguo mundo grecorromano … [17] In Symposium, eros is described as a universal force that moves all things towards peace, perfection and divinity. [16], The ancient Greek philosopher Plato developed an idealistic concept of eros which would prove to be very influential in modern times. Seilenos (Silenus) the old vagabond, challenging a Satyros, entwined hands and feet together, and rolling himself into a ball stooped and dived head first into the stream, from the heights into the deeps, till his hair stuck in the slime; then he trod his two feet firmly into the glittering sand hunting for good nuggets or ore in the river. 30; Ov. . According to Plato, eros could be diverted to philosophy (inclusive of mathematical, ethical and ascetical training), rather than dissipated in sexuality, for the purpose of using erotic energy as a vehicle for the transformation of consciousness, and union with the Divine. You could have seen the veins standing out as though they were filled with a sort of breath, the Satyros drawing the air from his lungs to bring notes from the flute, the statue eager to be in action, and the stone entering upon strenuous activity--for it persuaded you that the power to blow the flute was actually inherent in it, and that the indication of breathing was the result of its own inner powers--finding a way to accomplish the impossible. Kokopelli is a musically talented fertility deity with roots in Native American culture.

. "[Dionysos returns from the sea, where he had been driven by Lykourgos (Lycurgus) :] He found the Seilenoi (Silens) in high glee: Dionysos had come up out the waters and joined the Nymphai Oreiades (Oread Nymphs). Agape, or love for everyone.

This was the name of a saint from Caesarea who was martyred during the persecutions of the Roman emperor Diocletian in the early 4th century. He [Dionysos] is accompanied only by Lydian women and Satyroi (Satyrs) and fluteplayers, and an aged narthex-bearer, and Maronian wine, and by Maron himself . Essentially, it’s the love inside us that we give freely to others—regardless of our relationship to them. .’ Rackham) (Roman rhetorician C1st B.C.) 3. 433 ff : "[Dionysos driven mad by Hera retreats from the war :] The Satyroi (Satyrs) made no noise, no sound echoed as of yore from the pipes to awaken the conflict. ", Nonnus, Dionysiaca 23. 62, xxvii. The moon and star together represent the harmony that exists in the relationship between a man and a woman, and serves as a symbol of love. Well, Midas, I understand, had heard from his mother that when a Satyros is overcome by wine he falls asleep, and at such times comes to his senses and will make friends with you; so he mixed wine which he had in his palace in a fountain and led the Satyros get at it, and the latter drank it up and was overcome. "[The temple of Dionysos in Megara :] By the side of it is a Satyros (Satyr) of Parian marble. 82.) Emoji Its significance is believed to have originated in the foothills of the Himalayas, considered sacred ground in India. ", Nonnus, Dionysiaca 14. Wherever your course leads you, young men's shouts and women's cries echo afar with noise of tambourines and clashing bronze and long-bored pipes of box. Oldfather) (Greek historian C1st B.C.) "Note that Dionysos' companions in the dance were Satyroi (Satyrs), called by some Tityroi (Tityri). And the horned Satyroi were commanded by these leaders: Poimenios (Poemenius, Pastoral) and Thiasos (Thiasus), Hypsikeros (Hypsicerus, Tall-horn) and Orestes (Mountain-dweller), and Phlegraios (Phlegraeus) with horned Napaios (Napaeus, of the Glen). "Love at first sight" was explained as a sudden and immediate beguiling of the lover through the action of these processes, but this was not the only mode of entering into passionate love in classical texts. Greek A Man and a Satyros once drank together in token of a bond of alliance being formed between them. Some generate tender fires inside the Satyri, others in you, whose brow is bound with pine [Pan]. Melville) (Roman epic C1st B.C. ACTEON: Variant of Actaeon, Greek myth name of a hunter who was torn to pieces by his own dogs, meaning "love on to another"He was then transformed into a deer, thus himself becoming … Satyroi were depicted as animalistic men with asinine ears, pug noses, reclining hair-lines, the tails of horses and erect members. 23. Another sat tight on an unbridled bull, and amused himself by lashing its flanks, as he cast his javelins furiously among the black Indian ranks. Greek Lyric Ii) (C5th B.C.) "[Dionysos travels to the land of Assyria :] Maron the god's [Dionysos's] charioteer took up the golden reins of the Mygdonian chariot, and drove the team of stormswift panthers with yokestraps on their necks, spring not the whip, but whizzing a lavish lash to manage the beasts. "I have a remedy against these hell-hounds [the Satyroi (Satyrs)], which Midas is said once to have employed; for Midas himself had some of the blood of Satyroi in his veins, as was clear from the shape of his ears; and a Satyros [Seilenos (Silenus)] once, trespassing on his kinship with Midas, made merry at the expense of his ears, not only singing about them, but piping about them. Rouse) (Greek epic C5th A.D.) : Strabo, Geography 14. They can thus only be an object, not a subject of love (Symposium 200-1). In fact, many Greek names were popularized throughout Europe via works of Greek literature. ", Ovid, Metamorphoses 11. "The Nymphae (Nymphs) who were wont to strew him [the guardian dragon of the Nemean grove] with vernal flowers, and Nemea's fields whereon he crawled; ye too, ye woodland Fauni (Fauns) [Satyrs], bewailing him in every grove with broken reeds. 7 (trans. "I [Zeus] have my Demigods (semidei), my Fauni [Panes] and Satyri (Satyrs), my Nymphae (Nymphs) and Rustic Sprites (mumina rustica) of wold and wood, not worthy yet to win the sky, but sure the earth, their portion, we must prove secure. . the Panes], and the lustful rapine of the Fauni (Fauns) [Saytrs]. Taylor) (Greek hymns C3rd B.C.

The fourth love, and perhaps the most radical, was agape or selfless love. ", Nonnus, Dionysiaca 40. 93 ff : 2. "The Man and the Satyros (Satyr). [8] Stories in which unwitting men catch sight of the naked body of Artemis the huntress (and sometimes Aphrodite) lead to similar ravages (as in the tale of Actaeon). Göttling) speaks of them in the plural and describes them as a race good for nothing and unfit for work, and in a passage quoted by Strabo (x. p. 471) he states that the Satyrs, Nymphs and Curetes were the children of the five daughters of Hecataeus and the daughter of Phoroneus. Greek Background. Bakkhai (trans. 13, 82, 269. Walsh) (Roman novel C2nd A.D.) : Suidas s.v. ", Strabo, Geography 10. The Satyroi also, shaking their hair madly in the wind, learnt from Dionysos how to do the like. [2.1] Various rustic gods incl HERMES, SEILENOS, PAN & THE OREAIDES (various sources). Eros is thus the way that leads man to divinity, but not vice versa. 3. Aggie – Sacred, Chaste. 10 ff (trans. Do not praise the water; for, though it looks sweet and placid, you will find [the poet] Olympos sweeter. 24 ff (trans. "[During the Indian War, Dionysos is driven into a murderous frenzy by the goddess Hera :] Bassarides went scattering and would not come within touch of Lyaios (Lyaeus) [Dionysos], Satyroi (Satyrs) shivered and hid in the sea; they would not come near him, dazed at the threatening onset, lest he dash at them letting out that outlandish roar, spitting snowy foam, the witness of madness. It is the desire to create life, and favors productivity and construction. . According to Jung: Woman's psychology is founded on the principle of Eros, the great binder and loosener, whereas from ancient times the ruling principle ascribed to man is Logos. the herdsman Pan sang loudly, pouring out his victorious note, drawing on the Satryoi (Satyrs) to dance drunkenly after their war. ", Pseudo-Apollodorus, Bibliotheca 2. 105 ff (trans. 2. . Conybeare) (Greek biography C1st to 2nd A.D.) : Orphic Hymn 54 to Silenus and the Satyrs (trans. "Honey was found by Bacchus [Dionysos], they say. ", Statius, Thebaid 4. "[Dionysos discovers wine :] When Bakkhos (Bacchus) saw the [wild] grapes with a bellyful of red juice, he bethought him of an oracle which prophetic Rheia had spoken long ago. "[Morrheus addresses his Indian troops :] ‘You know also what I have done in resisting Dionysos, fighting Satyroi (Satyrs), and cutting of the hateful heads of that oxhorned generation with shearing steel.’", Nonnus, Dionysiaca 37. For more on these tropes in the Ancient Greek novel, see Françoise Létoublon, See the introduction by Nathaniel Edward Griffin to, For a full discussion of the scene of "love at first sight" in fiction, see, Anonymous, "If Love's a Sweet Passion", from the libretto of, Freud, S. (1925). . [18] Eros himself is a "daimon", namely a creature between divinity and mortality.[19]. ", Athenaeus, Deipnosophistae 1. to C1st A.D.) : In Greek mythology, he was known as Eros, the son of Aphrodite (goddess of love and beauty). 169 ff (trans. 102 ff (trans. A perfect Biblical example of this is the multiple Greek words translated to the single English word “Love”. In Plato, eros is a spiritual energy initially, which then "falls" downward; whereas in Freud eros is a physical energy which is "sublimated" upward.[27]. See Paris's letter to Helen of Troy, in Ovid. : Aesop, Fables 60 (Chambry) (trans. Another leapt on the back of the bear of Kybele (Cybele), and attacking the enemy, shaking his vinewrapt thyrsus and scaring the drivers of long-legged elephants. Then Kissos, first of the two in the race, striving so hard for the prize, stumbled over a wet place on the shore, slipt and fell in the sandy slush; Leneus had to check the course of his feet, and his knees lost their swing: so both competitors were passed and Ampelos carried off the victory. 3. 8. Fast. 15 : "If gods exist, are Nymphae also goddesses? In their appearance they somewhat resembled goats or rams, whence many ancients believed that the word saturos was identical with tituros, a ram. [14], In The Symposium by Plato, Aristophanes relays a myth of the origin of both heterosexual and homosexual love. 89 ff : 350 ff : Pan stood beside him, delighting in the music of the flute and embracing Ekho (Echo), in fear, I suppose, lest the flute set in motion some musical sound and induce the Nymphe to make an echoing response to the Satyros.". Pseudo-Apollodorus, Bibliotheca 2. Evelyn-White) (Greek epic C8th or 7th B.C.) then sounded the womanish song of the Bassarides, making Phrygian festival for Lyaios (Lyaeus) [Dionysos] of the Night, and the hairy company of Satyroi (Satyrs) rang out with mystic voice. In some medieval texts, the gaze of a beautiful woman is compared to the sight of a basilisk—a legendary reptile said to have the power to cause death with a single glance. 105 ff (trans. ii. Conybeare) (Greek biography C1st to 2nd A.D.) : The islands were called Satyrides by the sailors, and the inhabitants were red haired, and had upon their flanks tails not much smaller than those of horses. 23 (trans. Some of the more specific types of Satyroi were the Panes (goat-legged satyrs), Seilenoi (Silens) (elderly satyrs), Satyriskoi (Satyrisci) (child satyrs), and Tityroi (flute-playing satyrs). Agata — Good hearted. 4 (trans. Eros (/ ˈ ɛr. However, these four terms offer a broad overview of the different ways love is expressed and understood throughout the Scriptures. "[Rhea summons rustic daimones to the army of Dionysos for his campaign against the Indians :] The heroic breed of farscatterd champions, the hairy Satyroi (Satyrs), the blood of the Kentauroi (Centaur) tribe, the bushyknee ancient [Seilenos (Silenus)] and his phalanx of Seilenoi (Silens), the regiment of Bassarides--do you sing me these, O Korybantic Mousai (Corybantic Muses)! Agnes — Sacred, Chaste. 13 (trans. ", Strabo, Geography 10. (Eurip. Everyday he stole a speck of gold that he intended to use to make a ring for his beloved back home, Margaret. The Bakkhante (Bacchante) women made haste, the Seilenoi (SIlens) shouted the tune of the battle-hymn, the Satyroi (Satyrs) opened their throats and shouted in accord; the sound of the beating drum rang out, beating time with its terrifying boom, the rattling women clanged their double strokes with alternate hands; the shepherd's syrinx piped out its Phrygian notes to summon the host. The Claddagh symbol is most prominently fashioned into Celtic rings, but appears in other forms of jewelry as well. 48). She invites, too, Satyri (Satyrs) and Nymphae (Nymphs), Rural-Spirits (rustica numina); Silenus is present, uninvited. "[From a description of an ancient Greek painting depicting the torment of Marsyas :] And look, please, at the band of Satyroi (Satyrs), how they are represented as bewailing Marsyas, but as displaying, along with their grief, their playful spirit and their disposition to leap about. The oldest of the Satyroi (Satyrs) are called Silenoi (Silens). iv. Because these are Greek terms, none of them are directly present in the Old Testament , which was originally written in Hebrew .

Often, he is depicted in art as a blindfolded figure, which is meant to represent love’s blindness. ", Ovid, Heroides 5. . Update your email preferences at any time. xiii. 27 ; Nonn. Melville) (Roman epic C1st B.C. ad Hom. 10 ff : 10 : The sailors did not wish to put in at the latter, because, having put in before, they had some experience of the inhabitants, but on this occasion they had no choice in the matter.

Ed. 318 ff : 279 ff : However, the most famous bearer was Alexander the Great, king of Macedon. "[At the start of Indian War of Dionysos :] He [Dionysos] hasted to a new conflict with Indians in the mountains.

. Dionys. these Daimones [the Kouretes (Curetes), Satyroi (Satyrs) and Oreiades (Oreads)] . One mounted with an agile leap on the back of a furious bear, whipping the hairy neck as it rushed on tis course; another astride on a wild bull gripped his two flanks with hanging feet, and pricked his hairy belly with his crook to guide the wandering course; a third rode on the back of a shaggy lion, and pulled the hair of his mane instead of a bridle. and there are also the paintings of Protogenes, his Ialysos and also his Satyros (Satyr), the latter standing by a pillar, on top of which stood a male partridge. i. . . Come, rouse to sacred joy thy pupil king [Dionysos], and Bakkhai with rites Lenaion bring; our orgies shining through the night inspire, and bless, triumphant power, the sacred choir. There are few written records of women's lives and loves in ancient Greece. 40 (trans. ", Nonnus, Dionysiaca 39. Jones) (Greek geographer C1st B.C. When he finally escaped, he returned to give the beautiful ring to Margaret, who accepted it lovingly. Ampelos came third and last. Agneta — Sacred, Chaste. 76 ff : Old Silenus came, too, on a sway-backed donkey, and the red-groined terror of timid birds [Priapos]. [30], Concept in ancient Greek philosophy for sensual or passionate love. - 617-752-2547 greekboston@worldwidegreeks.com 34 (trans. : § 6), usually have bald heads and beards, and the younger ones are termed Satyrisci (Saturiskoi, Theocrit. s. v.; and Strab. Eros is ultimately the desire for wholeness, and although it may initially take the form of passionate love, it is more truly a desire for "psychic relatedness", a desire for interconnection and interaction with other sentient beings. Adinkra is a cotton cloth produced in West Africa which has traditional Akan symbols stamped on it. ", Nonnus, Dionysiaca 14. : He was depicted as a three-headed dog with a serpent's tail, mane of snakes, and lion's claws. Eustath. Fairbanks) (Greek rhetorician C4th A.D.) : Philostratus, Life of Apollonius of Tyana. Agape: The Greek meaning of Agape is "Love"; loved by all or loving to everyone; spreading love; a person who is warm as love: Girl: English,Greek: Agase: Agase means good in Greek. ", Ovid, Fasti 1. "[Dionysos fell in love with the satyriskos (satyriscus) Ampelos :] If Ampelos, was carried away by wild passion for high capers, twirled with dancing paces and joined hands with a sporting Satyros (Satyr) in the round, stepping across foot over foot, Bakkhos (Bacchus) [Dionysos] looked on shaken with envious feeling. Gratified couples as far back as the 7th century B.C. Amazed at the victory of the youth. xii. He then goes on to confront his adversaries for ignoring such great precursors and for tainting his whole theory of eros with a pansexual tendency. MARSYAS A Satyr of Mount Tmolos in Phrygia (Anatolia) who invented the music of the flute and was flayed alive for challenging the god Apollon to a musical contest. "The city of the Rhodians lies on the eastern promontory of Rhodes . ", Cicero, De Natura Deorum 3. Ionian Black Figure Vase Painting C6th B.C. As companions of Dionysos they were usually shown drinking, dancing, playing flutes and sporting with the Mainades (Maenads). At last the sailors in fear cast a foreign woman on to the island. The statue was wreathed with ivy, though the sculptor's art did not cull real berries from a meadow, nay, rather, it was the stone which for all its hardness spread out into sprays and encircled the hair, creeping back from the forehead till the ends met at the sinews of the neck. "[The Indian king Deriades rallies his troops :] ‘This day either I shall drag Dionysos by the hair, or his assault shall destroy the Indian nation! .
", Nonnus, Dionysiaca 21. Osram Ne Nsoromma is one of those symbols, and it consists of a star and half moon. There was dancing too; fragrant air was wafted through a house full of harping, the streets of the city were filled with sweet steamy odours, ample streams of wine made the whole house carouse. Springheel Lyaios (Lyaeus) [Dionysos] cried his summons aloud, and first up leapt windfoot [Seilenos (Silen)] Leneus (Winepress), then on either side of him highstepping Kissos (Cissus, Ivy) and charming Ampelos (Ampelus, Vine) stood up. According to Greek Orthodox tradition, nearly every day of the year is dedicated to some Christian saint or martyr.

", Nonnus, Dionysiaca 47. ): Greek name derived from the word agapē, meaning "divine love." . 343 Ancient Greek Names And Their Meanings ", Ovid, Metamorphoses 6. They pulled tight the dappled skins of fawns over the shoulder, they shouted the song of Bakkhos sounding tongue with tongue, crushing the fruit with many a skip of the foot, crying ‘Euoi!’ The wine spurted up in the grapefilled hollow, the runlets were empurpled; pressed by the alternating tread the fruit bubbled out red juice with white foam. Along with their cooing and bowing courting rituals, doves mate for a lifetime, which has come to symbolize fidelity. Aldrich) (Greek mythographer C2nd A.D.) : However, love is often more complicated than any words can describe. Eclog. Mozley) (Roman epic C1st A.D.) : The Panes had drunk no hot blood fresh from the veins of a lioness of the wilds, and rushed not swift as the wind frenzied into the conflict, but they were mild with fear : hesitating they pawed the ground with gentle noiseless hooves, and ceased the terrible leaps of their highland dance. 24 ff (trans. Practicing Agape love can often increase self-love, and higher levels of healthy self-love usually result in an increased ability to feel and show Agape – it is a cycle! The philosopher and sociologist Herbert Marcuse appropriated the Freudian concept of eros for his highly influential 1955 work Eros and Civilization. Gold Claddagh ring. According to the tale, Richard was constrained to work for a goldsmith where he inevitably learned the craft. 330 ff : 19 (trans.

Dionysos also sails to the revels of Andros and, his ship now moored in the harbour, he leads a mixed throng of Satyroi (Satyrs) and Lenai (Lenae) and all the Seilenoi (Silens). 17 : Image via Wikimedia Commons. 3. There was an elaborate preparation for the first night after the marriage, while the man in a symbolic rite had to abduct his future wife before the official ceremony, while she had her hair cut short and dressed in boy's clothes. 8, s. were called, not only ministers of gods, but also gods themselves.

Aldrich) (Greek mythographer C2nd A.D.) :

"Wishing to know better than most people who the Satyroi (Satyrs) are I have inquired from many about this very point. One shaken by the madness of min-crazing drink laid hold of the girdle of a modest unwedded maid, and as she would have no love-making pulled her back by the dress and touched her rosy thighs from behind. Another dragged back a struggling mystic maiden while kindling the torch for the god's nightly dances, laid timid fingers upon her bosom and pressed the swelling circle of her firm breast. ", Valerius Flaccus, Argonautica 1. 680 ff (trans. . Jung considers logos to be a masculine principle, while eros is a feminine principle. In Greek mythology Satyrs were rustic fertility spirits of the countryside and wilds. ", Nonnus, Dionysiaca 18.

: Pseudo-Apollodorus, Bibliotheca 3. "They [the poets] also invented some of the names by which to designate the ministers, choral dancers, and attendants upon the sacred rites [of Rhea and Dionysos], I mean Kabeiroi (Cabeiri) and Korybantes (Corybantes) and Panes and Satyroi (Satyrs) and Tityroi. Apoll. Like the sweet sap from its tree, which ultimately produces maple syrup, maple leaves represent the sweetness and wonder of love in daily life.
"[The army of Dionysos gathers for a campaign against the Indians :] From these [Maron, Astraios (Astraeus) and Leneus, the three Seilenoi (Silens) sons of Seilenos (Silenus),] had sprung the twiform generation of the muchmarried Satyroi (Satyrs). Wilson) (Greek rhetorician C2nd to 3rd A.D.) : Philostratus the Elder, Imagines 1. ", Pseudo-Hyginus, Fabulae 169a : Athenian Black Figure Vase Painting C6th B.C. "[The army of Dionysos crosses the river Hydaspes :] The Satyroi (Satyrs) attended his [Dionysos's] passage, and with them Bakkhante (Bacchante) women and Panes passed through the water. "The [daimones called] Silenoi (Silens) and Satyroi (Satyrs) and Bakkhai (Bacchae), and also the Lenai and Thyiai (Thyiae) and Mimallones and Naïdes Nymphai (Naiad Nymphs) and the beings called Tityroi, [are attendants] of Dionysos. Melville) (Roman epic C1st B.C. 637; Philostr. Eros has also been used in philosophy and psychology in a much wider sense, almost as an equivalent to "life energy". 23. The encyclical argues that eros and agape are not distinct kinds of love, but are separate halves of complete love, unified as both a giving and receiving. "[Dionysos resumes his war against the Indians :] He [Dionysos] slipt his feet into wellfitting golden shoes. Gibbs) (Greek fable C6th B.C.) Image via Wikimedia Commons. xiv. C/O Brick Marketing, LLC. Steven van der Meulen, “The Hampden Portrait,” circa 1563. 9. "From these [Leneus, Astraios (Astraeus) and Maron, three Seilenoi (Silens) sons of Seilenos (Silenus)] had sprung the twiform generation of the muchmarried Satyroi (Satyrs).". § 4; Horat. The Panes wandered wild through the woods with hillranging hoof, Panes in search of Dionysos, and heard no word of him . When he asked the girl what she was doing in this lonely place she said she had been sent by her father to get water.

Like many other symbols of love, shells, and conch shells in particular, are one of the main objects associated with Aphrodite, goddess of love. ", Nonnus, Dionysiaca 10. ii. 1 ff : In the classical world, erotic love was generally referred to as a kind of madness or theia mania ("madness from the gods"). ", Virgil, Georgics 1. ", Nonnus, Dionysiaca 11. . 392, xiv 637), although originally they were quite distinct kinds of beings, and in works of art, too, they are kept quite distinct. p. 484), and of every kind of sensual pleasure, whence they are teen sleeping, playing musical instruments or engaged in voluptuous dances with nymphs. KERKOPES (Cercopes) A pair of monkey-like bandits, possibly Satyroi (Satyrs), who plagued the land of Lydia which were transformed into monkeys by Zeus. . THE SATYROI (Satyrs) were rustic fertility spirits of the countryside and wilds. Mozley) (Roman poetry C1st A.D.) : 72; Aelian, V. H. iii. Carm.

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